Drum Beat Project

Beat 236 of my #DrumBeatProject 7.10.24 w/slower vid, isolated sound vids & notations. Lots of layers to unpack here. I`ll break it down by explaining how it came about. This beat was composed at the kit but not improvised. I didn’t have anything in particular that I wanted to explore this week so just grabbed the super unique #KeoPercussion flutter stick and decided to use it as a sort of intermittent ride on ct. 1 of each mea. Then grabbed a Korean temple clacker-stick for my LH. I played around w/that on SD x-stick vs. the BD or HH (LF) - liked both, so decided to break the beat up in halves - cts. 1&2 w/BD & cts. 3&4 w/HH. Then decided to move the LH to the HH top for cts. 3&4. I then saw the @percussion.wtf Reco Electro sitting there and decided to place that on the RT w/the @creative_percussion guiro stack - both kept in place w/the genius @drumgees bungee. I loved that sound so made it a 2 mea. beat - subbing that in mea. 2 where the LH plays HH in mea. 1. Then decided to sub a @rolandglobal electro BD (triggered via SPD foot pedal) in mea. 2 to go along sonically w/the reco. To keep the 2nd bar distinct, I added the seed pods to flutter in on ct.1 as well. Finally, I felt it needed a resolution - so added the @meinlpercussion wind chime crash at the end. Form is basically a,b,a’,b’. That description is a bit much - sorry! New Saccata Quartet LP is out on @wejazzhelsinki - & new @wilco EP too - listen! Scores for all solo pieces are on my website & vids on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighboru ...

Beat 235 of my #DrumBeatProject 6.25.24 w/alt tempo vids & notations. This one also originated while rehearsing for @solidsoundfest
- trying to come up with a live part for "Tell Your Friends" - one we`ve never played live before.
I ended up doing something different, but liked this one enough to include in the DBP. That`s a custom hand-held marching machine that I`m playing the FT`s with. The HH`s are the backbeat & are splashing to contrast the heaviness of the FT & BD vibe. The SD brush slide adds another balancing texture as well as some rhythmic stability. Those gorgeous hats btw are 2 - 14" @zildjiancompany Kerope top HH`s and as always, w/an 8" Trashformer in between & inverted, resting directly on the bottom cym. New Saccata Quartet out!!! On @wejazzhelsinki - & new @wilco EP too - listen! Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor
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Beat 234 of my #DrumBeatProject 6.24.24 w/notations. This one originated while rehearsing for @solidsoundfest the other day from a sticking pattern which I think of as basically 2 flam taps & a Swiss triplet. I then split that up between HH & SD and added the BD punctuations. The trickiest spot imo is the "e" of ct. 3 where the 3 limbs are in unison - but if you just think of that BD lining up w/the start of the RH Swiss trip instead of the 2nd note of the preceding LH flam tap, it`ll be much easier when you work it out. Enjoy! Thx to @mikaeljorgensen for the camera work. New Saccata Quartet out!!! On @wejazzhelsinki - & new @wilco EP too - listen! Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 233 of my #DrumBeatProject 6.18.24 w/var. beat & notations - marching machine madness! I think I might be the foremost proponent of bringing the marching machine into the mainstream (or at least indy rock mainstream).
I used it extensively on the @Wilco Ode To Joy record and on several recordings since. I first saw one of these used by @scvanguard when I was a kid and it blew my mind, so I got one eventually and found that they work gr8 in contemporary music and not just to emulate soldiers marching. I’m using one-of-a-kind hand held & foot pedal operated ones here thanks to the ingenuity of @colindcampbell and @ashwin_deepankar (also the cameraman) who brought my requests to life - and far better than I originally envisioned. This is a linear beat based around the LF, LH, RH, RF sequence that happens twice. I love that the RH really sounds like some sort of 3/4 clave - but none that I know of… This can easily be played sans mm too - LF = HH & RH = anything. The xtra beat (3rd vid) is the exact same but starting in a different place which completely changes the melody & cadence if it. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor
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Beat 232 of my #DrumBeatProject 6.12.24 w/var. beat & notations. I’ve been revisiting some past @wilco beats in case they get included in our “deep cuts” set @solidsoundfest in a couple of weeks and was trying to come up with a live version of “Just Say Goodbye” - not sure if this will be it, but I like enough to include in the project - mainly because of the subtle challenges. The sticking is a RH single / LH single / & 2 double stops repeated. The LH alternates playing positions from SD center to edge to imitate the delay on the track (in the 2nd vid from SD to RT) and the RH moves from 1st FT to 2nd. The BD is playing a samba foot pattern underneath and the HH (maybe the trickiest part?) moves from playing 4 UPBEATS (do you hear them as upbts?) on the @meinlpercussion foot cabasa to just the upbeats on cts. 1 & 3 with HH / tambo attachment (@keplingerdrums custom one here). Interrupting that element is tougher than it seems. But between the LF part, the orchestration of the hands and the double stops - this one presents enough interesting challenges to make it a lot of fun and worth exploring imo. I`m combining 1 bar each of the verse & chorus parts for this beat btw. The last vid is just a faster attempt. I began working on this the other day in Milwaukee but @ashwin_deepankar took these vids @saltshedchicago . Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 231 of my #DrumBeatProject 6.5.24 w/var. beats & notations. Was checking sounds at a recording session this week and this one came about. It’s a straight fwd pattern beat starting w/flams that then open up into LH lead broken triplets. So many possible alternate variations for voicings with this - a couple of which are in the xtra vids. I hardly ever have an additional FT off to my left, but this beat illustrates how changing up one small element on the kit can lead to new discoveries and things that you wouldn’t have played otherwise - that’s part of the beauty of our instrument - it’s malleability. Btw - I`ve had that SD since 8th grade! I guess that makes it vintage?! Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 230 of my #DrumBeatProject 5.28.24 w/var. beats & notations. Investigating paradoxical odd couples. The idea of using double pedal for the first time in my DBP came while listening to the wonderful @vanderbiltpercussiongroup perform the @clark.hubbard composition, Stardust (gr8 vid on youtube btw). Around 1:20 there’s a super cool vibes/drums unison figure that I decided to try on the kit. I got it wrong here (maybe a future post tho) but this is close! I decided to try it quiet since (and I’m no expert here but…) in my experience, dbl bass is almost always played loud w/full-on intensity. I don’t know of m(any) situations where brushes or quiet shaker are used in conjunction w/dbl kick. So I thought it’d be fun to explore these odd couples as well as pairing a slower 8th note feel brush/shaker part against the fast 16ths on the BD’s. I switched between puffy bomber beaters (1st vid) my usual @lowboybeaters (2nd vid). I put a contact mic on the @meinlpercussion tar so it was more audible in the room and then ended up trying one of my quietest shakers too (3rd vid) - finally did double time (16ths) w/ the brushes & the @out_of_the_drawer_percussion shaker. Besides his compositions (be sure to check out SodaSong - amazing!) and co-directing athletic bands at Vanderbilt, Clark has been putting all of my handwritten beats in Sibelius for me the last few years, #invaluable. Thanks for the inspiration Clark! Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 229 of my #DrumBeatProject 5.21.24 w/xtra related beat & notations. Yet another one in 7?! (I’ll move on soon). This is an outgrowth of the xtra beat from last week’s post - keeping the same RH drum part but moving the LH from @zildjiancompany frying pans to a new @meinlpercussion kalimba melody this week (still subdivided as 2+2+3). The 2 vids = diff. tempos/feels, but both using a distortion pedal to add that fuzz that I love to the kalimba. Vids 3-5 are this week`s xtra beat which is the same melody as the main beat kalimba part but moved to @majesticpercussion glock & the RH part moves from the stacks & SD to just drums. Each of those vids are just diff. mallet combos in the RH (a few customized @promarksticks marching tenor mallets and a @dragonfly_percussion insanely soft mallet). My fav part and reason for posting this one is the happy accident/cool interplay between the HH and the 2 stacks. I also wanted to show how one idea can be re-orchestrated / re-tooled many ways to create new and very different sounding beats. These border on being short musical phrases or micro-pieces but I still think of them as complex drum beats since they started as beats. New record w/Saccata 4tet coming in June - check the @wejazzhelsinki site for info and sneak peak. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 228 of my #DrumBeatProject 5.17.24 w/xtra related beat, frying pan vid & notations. Another one in 7. The main beat is subdivided 2+3+2 (2nd vid is just slower) and the xtra beat is felt as 2+2+3 (w/additional fast & slow takes). Each features a unique @zildjiancompany frying pan pattern. @cymbalcraftsman sent the pans to me a long time ago when they were being proto-typed - thx Paul! I use them w/ @wilco on Bull Black Nova and in many other settings. Their sound is an interesting mix between bell cymbal and small gong - not a pure pitch, but def “pitched”. Using custom @promarksticks drumset mallet on those and a @creative_percussion shaker beater on the BD w/the usual suspects on the HH. My fav part of both of these beats is the feet. The alternating BD & HH rhythm is super fun to execute. The RH & feet comprise a linear drum beat with the LH acting independently as a lead voice - supporting the drum part but separate. The stacks timbre work nicely w/the prepared HH and frying pans. These ideas can be explored and arranged in so many ways - lots of possibilities here. New record w/Saccata 4tet coming in June - check the @wejazzhelsinki site for info and sneak peak. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 227 of my #DrumBeatProject, Steve Albini tribute 5.8.24 w/xtra takes, cym vid & notations. After I heard of Steve’s untimely passing, I put my huge “splashes” on the kit, sat down and played this. The next day I went back and added a sample of his blistering, blood curdling, face-melting, Shellac guitar to my BD using @sunhouseinc #sensorypercussion. Hopefully he would have approved. I’ve recorded at his @electricalaudio studio many times (including for my solo record, Adventureland) and got to work with him on the Edith Frost record Wonder Wonder. His loss is absolutely devastating to our community & so many people near and dear to me. He was always the smartest & most ethical guy in the room and gave me one of the nicest compliments and biggest confidence boosts when I really needed it when @modern_drummer magazine interviewed him on drummers. Hopefully this helps in the smallest of ways to keep his spirit alive... Besides all the incredible music, I hope people remember how kind & generous he was & carry on his example. This one was pretty hard to get sounding good and consistent - but his gtr. really helped! Those are 2 vintage Japanese cymbals (maybe Pearls?) that I got in Tokyo a decade ago & a @gmdcymbals Neptune crash & new @zildjiancompany 22” paper thin crash. Using various @promarksticks & a custom monkey ear rattle on HH. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 226 of my #DrumBeatProject 5.3.24 w/notations. A linear beat w/ lots of acoustic sounds & w/voice samples of the incredible gabriela_riley in English & Portuguese thru @sunhouseinc #sensorypercussion. Counts 1 & 4 have 32nd note figures and bookend the 3 note groupings of 16ths that are being played in cts. 2 & 3. Acoustic colors courtesy of @meinlpercussion metal and seed chimes @stack_ring_percussion crasher & @zildjiancompany bell cym & stacks & @gmdcymbals bell cym too. Using @davedeming & @promarksticks implements. Lots of options for revoicing on whatever timbres you choose. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 225 of my #DrumBeatProject 5.18.23, 2 beats & notations. More archival vids of me getting sounds for the @taylorswift TTPD/ The Anthology & Ed Sheeran @teddyphotos Autumn Variations sessions w/the wonderful @AaronDessner at the house that drumming hero @brian.deck built @narwhalchicago -1st video I’m in my my wheelhouse. I’ve posted similar ones, of this ilk, but hopefully not this exact one! It’s me channeling the great Tony Allen through sticking combinations that were ingrained when I arranged and learned @stevereich legendary Clapping Music but for RH & LH duet. That’s still my go to warmup and those patterns have found their way into so much of my playing as exhibited here. When the BD dbls the RH in places, it creates a cool Swiss triplet between SD & BD too. 2nd vid is slower. 3rd vid is a tom-centric, upbeat BD one that I almost didn’t include due to the unforgivable tasty face going on… oh well… When I play beats like that I always think of @chamberdrums & @themattcameron since I’ve heard them both do beats kinda like that & their influence on me is unquestionable. They do it w/out the grimace though… Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @straightxnarrow @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 224 of my #DrumBeatProject 5.17.23, 2 beats & notations. Since @taylorswift released the 2bl The Tortured Poets Department/The Anthology yesterday, I decided to pull one from the archives, specifically one that I grabbed while getting sounds for those sessions at the beautiful @narwhalchicago with my friend, producer extraordinaire @AaronDessner -This was one of the kits that I brought (w/the help of @ashwin_deepankar ) & is comprised of my vintage blue North Drums, rototoms &/my vintage calf-head Slingerland BD and vintage A @zildjiancompany HiHats. That BD is on a whole bunch of records & actually was the spark that started my decades-long duo w/ @daringraymusic #On Fillmore. Using @promarksticks steel pan mallets to play this spin on a Mozambique sticking (bell pattern on toms) but with HH playing quarters and BD marking the phrase. I did use this kit for some overdubs on TTPD/The Anthology - & Cousin from @wilco too btw. The 2nd vid is the same beat, diff. orchestration. I’m dampening the head w/my LH to change the SD tone when the BD plays & using @creative_percussion BD beater & shaker mallet on @xpercussionofficial click. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! And check out those records too. @straightxnarrow @clark.hubbard #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 223 of my #DrumBeatProject 3.25.24 w/alt tempos & notations. The melody for this one came independently & then I matched it w/the beat - I guess I was in 5/8 mode that weekend...This is an ostinato-free beat: all limbs are playing parts that interlock and work together, but nothing is on auto-pilot. The HH is always w/a LH but not every LH. The BD plays w/the LH and then opposite it. The RH is independent from the LH except on ct. 5 - so this is one to just start slowly with and break down by limb combinations until it all becomes internalized. I wish I had more time to make a more dynamic vid but had a busy week. The star of the show here is the @gmdcymbals Accent cymbal - such a cool sound that reminds me of a mix of Korean gwangari, @keplingerdrums cymbal and an @zildjiancompany frying pan - I don’t have anything else like it. That sound works nicely w/the @meinlpercussion Tar - used here as a FT. Lots of HH bling to bring that voice out and @promarksticks glock mallet and @dragonfly_percussion felt mallet on the drums. I’d love to see some other interpretations of this one…Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 222 of my #DrumBeatProject 2.6.24 w/notations. Another quick improv beat from Italy about a month ago during rehearsals w/ @ate9_dance A bit of a question/answer like last week but reversing the order w/SD answering the BD. Nice double stop on ct. 2 w/buzz on SD and little Swiss triplet figure between SD & HH on ct. 3 of each mea. too. The focal points are the HH openings on each ct. 4 that gives the beat a cadence: long in 1st mea. and short in the 2nd w/an audible HH close thanks to the @creative_percussion can shaker. This one’s fun to play & not super challenging so try it out! Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 221 of my #DrumBeatProject 2.2.24 w/faster vid & notations. Just a quick improv beat. 2 similar mea. w/the defining difference being the HH openning in mea. 1 vs.the SD accent on “e” of ct. 3 in mea. 2. Sort of a question/answer form that trades the action from the SD(LH) to the BD(RF) and w/a nice bouncy “ride” pattern on HH(RH) above it all. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 220 of my #DrumBeatProject 2.21.24 w/notations. This is a beat I used in Japan a few weeks back as a jumping off point for an improvised segment in “Calling Glenn” w/ @ate9_dance - it came out of working on independence, but instead of rhythmic independence among the limbs - dynamic independence. Where beat #219 focussed on only the RH shifting tempo, here only the LH plays crescendos and decrescendos while the other 3 limbs remain unchanged. Like last week, it’s trickier than it looks! Sometimes the LH wants to hit some of the accents in unison w/the RH. As drummers, we’re accustomed to everything (all limbs) playing at the same dynamic to create a uniform groove. When you take one limb out of that equation to do something contrary - it can be very disorienting! So be patient and listen to what you’re playing. Remember that the feet are the anchor and RH accent pattern & movement will become second nature & ingrained through repetition. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projectscheck ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 219 of my #DrumBeatProject 2.2.24 w/notations. Deceptively difficult! I realize not everyone has an air raid siren (ty! @jefftweedy )- or SPD - or Reco Electro - but those surfaces/sounds are easily exchanged for sounds on a standard kit. For the siren though, maybe subbing circles w/a brush on the FT will reveal the difficulty inherent in this one. It’s all about the RH accelerando & then ritardando while the rest of the body stays locked in time & playing a consistent pattern. As drummers, we’re accustomed to everything (all limbs) locking in to create the best groove all the while keeping steady time. When you take one limb out of that equation to do something contrary - it can be very disorienting! So be patient w/yourself. The upbeat HH part could be switched to downbeats at first to make it a bit easier too. This is in the same family as #211 & #217 and is the final post in this series with these SPD sounds. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

Beat 218 of my #DrumBeatProject 2.2.24 w/notations. Best w/ headphones. This is an extension of last week’s beat - triggering the same sounds from the SPD that I used for the @Ate_9 performances in Tokyo last weekend but a bit less rigid and with more feel. It’s a pattern beat
& mostly linear - sans the upbeat HH’s (another holdover from last week). The funnest part for me is the interplay between SD & BD - maybe the most challenging aspect as well. The buzz and swells give mea. 1 a nice shape, w/the stacks and FT in mea. 2 providing an answer to those as well as nice resolution to the whole phrase. It’s in the lineage w/ #211 & #217 with maybe one more pre-recorded beat in that family coming if I’m unable to get some alone kit time in the next week while on tour w/ @Wilco in Japan and Australia. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor
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Beat 217 of my #DrumBeatProject 2.2.24 w/notations. One for headphones. I’m in the middle of shows with @ate9_dance in Tokyo and this beat came from a little exploration after practicing a section that uses this SPD setting & Reco Electro. Messing with LH x-stk upbeats while the RH and feet do the beat from this section of the show. It’s more challenging than it looks, especially when the RH isn’t playing much and providing balance to the LH (1st 2 counts), which is why I decided to post this one - a good exercise for anyone interested. You don’t need the SPD either - those sounds can played on cymbals and toms. This one isn’t flashy, but is useful imo. Btw - this section of the piece comes right after the one featured in Beat 211. Solo pieces are up on my youtube channel, link for my newest piece, a Max Roach tribute, The Thunder That Smokes, in bio. Scores for all solo pieces are on my website. Past beat vids & notations at GlennKotche.com/projects check ’em out! @clark.hubbard @ashwin_deepankar @wilco #ABeatAWeek #DrumBeatTheory #DrumBeatImmersion #loveyourneighbor ...

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